Design suggests wholeness
by symbolically corresponding with itself
in relative form.
Design references a position that does not change,
yet is always changing.
In design there must be a symbols
to which another symbol can be referred
and create the correspondence between opposites.
This is the natural order of things.
Design gives form and identity
to this great transformation.
Meaning and purpose
when appearing as form
identify the many variations
of the original Chi.
* * *
Design, a language vast and deep,
Where symbols wake and symbols sleep.
A dance of forms, both bold and true,
In endless circles, ever new.
It holds a truth, a constant ground,
A steady pulse, yet spinning 'round.
A place where opposites align,
Where change and stillness intertwine.
A symbol here, a symbol there,
A whispered code upon the air.
Through shifting shapes and endless flow,
The Chi, the source, begins to grow.
Wholeness found in fractured parts,
A mirror in the human heart.
Design, the thread that ties it all,
In ever-changing, endless fall.
Purpose carved in fleeting form,
The great transformation born.
In unity, diversity,
All reflections of the cosmic sea.
Through design, we come to see—
The many parts, the unity.
Each form a message, clear, precise,
A step in life's great sacrifice.
In symbol, we discover more,
The Chi, the center, at the core.
So let design in wholeness be,
The key to all that is to be.
* * *
In the heart of a peaceful village, nestled between rolling hills and crystal-clear rivers, there was an ancient temple that held the secret to the nature of life itself. The temple, though humble, was a masterpiece of design—each stone, each curve, each intricate carving symbolizing a deep connection between the seen and unseen, the known and unknown.
One morning, a young artist named Lina arrived at the temple, seeking to understand the great mystery of design. She had been taught the basics of painting and sculpture, but something inside her knew there was more to creation than just following rules. She wanted to know what gave art its true meaning, what made it come alive.
As she wandered the temple, an elder priest, Master Qian, appeared before her. His eyes were wise, his steps slow and deliberate. He spoke gently, as though each word carried the weight of centuries.
"Design," Master Qian began, "is not just a matter of shape and color. It reflects the universe itself. It is a symbol of wholeness, the way one form mirrors another, and how each change flows into the next."
Lina listened carefully, though she did not fully understand.
"Look at the stones beneath your feet," he said, pointing to the ancient steps. "Each one is different, yet they are all part of the same path. They correspond to one another, forming a whole, just as the elements of the world correspond to each other. Water, earth, fire, air—all shift, all change, but their essence remains constant."
Master Qian continued, "Design reflects this truth. A shape may seem fixed, but it is always in motion, always shifting. Each form we create is a place for opposites to meet and balance. The solid and the fluid. The large and the small. The dark and the light."
Lina felt a stirring in her heart. She had always admired the beauty of the world around her—how each flower bloomed in its own way, yet all shared the same rhythm of growth. How the sky changed from dawn to dusk, and yet each moment felt connected to the next.
"What is this design?" she asked quietly.
"It is life itself," Master Qian replied, "the dance of opposites that create balance and transformation. It is the chi—the life force that flows through all things. When you create, you are giving form to that energy, giving it purpose and meaning. Just as the river changes its course, but always finds its way to the sea, so too does design evolve, but it always remains true to its original source."
Lina thought for a moment, then asked, "And what about the symbols? You mentioned them—how do they work together?"
Master Qian smiled. "Every symbol is a doorway to another. One shape leads to another, just as one moment in time flows into the next. The symbol you create today will lead to the symbol of tomorrow. Each is a reference to the other, each a reminder of the unchanging order behind the chaos. They are the language of the universe."
As the sun dipped low, casting long shadows over the temple’s stone walls, Lina began to see the world in a new light. She understood that her art was not simply a personal expression—it was part of a grand, eternal design. Every brushstroke, every chisel mark was an echo of something much greater than herself. She was not just an artist; she was a conduit for the great transformation of life.
From that day on, Lina’s work reflected this truth. Her paintings no longer merely depicted the world; they embodied the forces that moved through it. Each piece told a story of opposites coming together, of change and continuity, of form and formlessness.
And in this way, Lina learned to create not just art, but meaning. Through design, she gave form to the endless dance of life, and in doing so, she became one with the great transformation of the Chi.
* * *
In the heart of the world, nestled between realms both seen and unseen, there was a place known only to those who could see the unseen. It was a land not bound by time, nor shaped by the hands of men, but by something older, far older—something that was not made, but unfolded with every breath of the universe.
This was the land of Design.
The air hummed with energy, a kind of rhythm that could only be understood by those who had been there long enough to listen. Patterns floated like soft winds, spinning around and connecting. The land was filled with symbols—some bold and shimmering, others faint and translucent, but each one a piece of the great puzzle that held all things together.
In the center of it all stood a figure. Not a person, but a presence—an essence, you might say—that seemed to flow and shift with every passing moment. It was neither still nor moving, but rather in an eternal dance with itself. Its form was made of shapes that defied the logic of the physical world: circles that bent into spirals, lines that turned into waves, and triangles that folded into squares. And in the spaces between, there was a pulse—a constant, steady rhythm, the heartbeat of the land. This was Chi—the source, the center, the wellspring of all creation.
One day, a traveler from a distant world stumbled into this place. His name was Niro, a seeker of truths, a wanderer who had heard whispers of this realm in his dreams. He had traveled far, through forests of fire and across oceans of stars, seeking a deeper meaning, something beyond the limitations of his own understanding. But when he arrived in the land of Design, he found not what he expected—no answers, no sages, no sacred tomes—but a vast, living, breathing symphony of forms.
At first, Niro was disoriented. The air felt thick with the power of the symbols, and each symbol seemed to call to him in a language he could not understand. But there was something oddly familiar about it—a sense that he had encountered this language before, in his heart, in his dreams, in the very rhythms of his life.
He reached out to touch one of the symbols. As his fingers brushed its surface, the symbol flared into life, expanding and contracting, its edges shifting and changing like a river carving its path through time. Niro could feel it—this was not just a shape, it was a story. It was a fragment of something larger, something whole, something cosmic.
Suddenly, the presence in the center of the land spoke—not with words, but with the movement of its ever-changing form. "You seek, yet what you seek is not separate from you," it seemed to say. "The design is within you, in every choice you make, in every step you take. You, too, are a symbol in this dance."
Niro stood in silence, feeling the weight of those words settle deep within him. He looked around and saw the symbols again, but this time, they were no longer foreign. They were familiar. They were his own.
He began to move, guided by the flow of the designs. He felt his body become one with the land, as if he were part of an intricate web stretching out into eternity. Each step he took caused new shapes to form around him, and each shape revealed a new truth—about him, about the world, about everything.
The symbols around him whispered their secrets—change and stillness are not opposites, but part of the same flow. Wholeness is not the absence of parts, but the embrace of them. Through the ever-changing, we find the eternal. And in that moment, Niro understood.
Design was not just a language; it was the way of life itself. It was the thread that tied all things together, from the smallest grain of sand to the vastness of the stars. It was the Chi—the pulse at the center of everything—and it was within him, as it was within all things.
As Niro danced among the shifting forms, he felt a deep peace settle into his heart. He had come seeking answers, but instead, he had found unity. The many parts of the world—his own fragmented experiences, the fractured pieces of his past—were all part of the same grand design, moving toward something greater than he could ever comprehend.
And so, in the land of Design, Niro became one with the symbols. He knew now that he was not separate from them, but part of the ever-unfolding dance. The flow of change and stillness, of chaos and order, all wove together in a single, infinite pattern. He was both the traveler and the journey, the question and the answer, the symbol and the meaning.
And in that moment, he understood the greatest truth of all: through Design, all things come to be.
* * *
Bridging the gap between divine omniscience
and mortal awareness.
Find your truth. Know your mind. Follow your heart. Love eternal will not be denied. Discernment is an integral part of self-mastery. You may share this post on a non-commercial basis, the author and URL to be included. Please note … posts are continually being edited. All rights reserved. Copyright © 2025 C.G. Garant.
